It’s happening a lot more these days, this blurring of the lines between dystopian fantasies and the world I see around me. I used to absorb those works of fiction which let me bathe in the tragic absurdity of what the world could become. It might even have seemed remotely realistic, but it was still fiction: the secret police abductions of homosexuals in V For Vendetta, the eugenics in Gattaca, the suppression of emotions and art in Equilibrium, the martial law and terrorism in Children of Men, the drugs and surveillance of A Scanner Darkly, the cybernetics in Johnny Mnemonic, the ruthless corporatocracy in Resident Evil, the oppressive conformity in The Giver and Anthem, the absurd government in Demolition Man, and the list goes on.
But now I can’t even tell. Certainly our technologies and governments and corporations are not so extreme as in the above portrayals, but they are becoming reminiscent. More and more I feel like I’m living in an early cyberpunk setting. Most recently I had a conversation with a friend about Burj Dubai (pictured above). He said, “I actually find the aesthetics of dystopia pleasing, and this is one of the best representations of a coming dystopian era that I’ve seen; it’s macabre in its opulence.”
I agree. It’s terribly majestic. I’m not quite worried what society will become. More than ever, I find myself able to imagine sudden dramatic shifts–militarization, cybernetics, eugenics, oppression of our freedom, suppression of our humanity, etc. I know the momentum of history is by now inescapable, so despair is futile. We’re entering that world. We don’t know precisely what it will look like, but it will be ugly. And it will possess a tragic beauty.








